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Tradition and Technology

Our extended senses, tools, technologies, through the ages, have been closed systems incapable of interplay or collective awareness.  Now, in the electric age, the very instantaneous nature of co-existence among our technological instruments has created a crisis quite new in human history.  Our extended faculties and senses now constitute a single field of experience which demands that they become collectively conscious.  Our technologies, like our private senses, now demand an interplay and ratio that makes rational co-existence possible.  As long as our technologies were as slow as the wheel or the alphabet or money, the fact that they were separated, closed systems was socially and psychically supportable.  This is not true now when sight and sound and movement are simultaneous and global in extent.  A ratio of interplay among these extensions of our human functions is now as necessary collectively as it has always been for our private and personal rationality in terms of our private senses or “wits,” as they were once called.

Marshall McLuhan 1962: The Gutenberg Galaxy, 6.

To say that we live in unusual times would be an understatement.  Certainly, every age has its own unprecedented happenings, many of which are precipitated by technological advances.  But in the present iteration of the electronic age—that which we can fairly call “digital”—it appears that technological advance and use no longer occurs as separate from the lives of human beings.  In truth, they have never occurred with such separation.  But today, technologies’ essential function, namely the extension of our natural faculties, has in a way exceeded the proportions set by nature.  This technological disproportion presents an unprecedented challenge.

The rapid unfolding of this unprecedented disproportion, as apprehended (but not understood) in the Western-cultural world, has led to many abandoning their intellectual traditions.  This abandonment comes with hope or desperation for new solutions to the problems (such as endemic tendencies towards psychosis, generative intelligence simulators [mistakenly named “artificial intelligence”], the rapid fragmentation of opposed political ideologies, and global economic precarity with instantaneous consequences) which now threaten our civilizations.  But this abandonment itself misperceives the persistent root underlying these newly-emergent problems—a root which is not a problem itself, but a difficulty with which we as human beings must struggle: namely, understanding human nature.

For this understanding, we are fools not to turn with repeated humility to the great works of our tradition.

What is Tradition?

This question—“what is tradition?—proves surprisingly difficult to answer beyond providing the most basic definitions and descriptions.  But as a fundament for any good response to the question, it must be stated that tradition universally consists in the “handing down” of beliefs and behaviors to others.  Tradition proves therefore both something communicated and something essential to communication.  Every word read off a page or spoken aloud presupposes a common linguistic tradition, not only of the particular letters, shapes, or sounds by which the meanings are conveyed, but of those meanings as well.

Thus, we build traditions not only by the things we use, but by the thoughts with which we inform those things.  Put in other words, tradition always finds itself infused with symbols: conventionally-appointed signs which convey universal ideas.

Traditional Signs and the “Idea” of a Tradition

Behind this identification of symbols and tradition lies a deep inquiry into semiotics (the study of the action of signs).  We do not need to make this inquiry, however, to observe the truth that tradition and symbols are intimately related.  All we need is a little reflection.

Think, for instance, of long-enduring religious practices.  One might think of the Catholic Mass, whether in Roman or Orthodox rites.  Here, symbols abound—not only in the appointments of a church building (stained-glass windows, statues, altars, tabernacles, and so on), not only in the vestments of priests and servers (cassock, alb, amice, cincture, stole, chasuble), nor even in their particular adornments and imagery, but also in countless actions and words (every noun, verb, adjective, adverb, conjunction, and preposition including some symbolic signification).  Conveyed thereby are not only millennia of gradually-accumulated practices, but a thinking-through of how we ought to behave with regard to the sacred.

Or, as a very common form of traditional symbolism across varied cultures, consider the practice of vestment: a tradition found not only in Catholicism but in, for instance, Zen Buddhism.  Japanese practitioners are, upon entry into their monastic life, garbed with the kesa, reception of which symbolizes receipt of the Buddha’s teaching and worn throughout daily rituals to remind of one’s commitment.  The meaning of the garment is much more than the garment itself, just as a priest’s opening of the antiphon—Introibo ad altare Dei, “I will go in to the altar of God”—signifies much more than an intent to ascend the stairs of the sanctuary.

We might further think of more common cultural practices that also have a clear symbolic meaning: such putting up decorations for holidays (whether retaining spiritual depth or not), giving gifts on birthdays, eating a large and plentiful meal on Thanksgiving (in the United States, at least), even the act of shaking hands with someone—each means more than the act itself.  We decorate for a holiday not only because we like to make our homes more attractive for a time (do we want our homes unattractive the rest of the year?) and we do not decorate however we please to celebrate the holiday, but in a way that is in keeping with the holiday celebrated.  Putting up pumpkins at Christmas would be quite bizarre, regardless of one’s religious beliefs.  So too, a Christmas tree does not belong at a Fourth of July party.  We give gifts on birthdays not because we are rewarding the person celebrated, but because we wish to convey our joy at his or her life, to commemorate another year of being-together and hopes for the year to come.  Consuming a large meal at Thanksgiving does not celebrate gluttony (even if often it may turn out that way), but expresses gratitude for life itself, with food that not only nourishes but delights.  Shaking hands not only greets the other, but expresses an intention towards that other (and principally, we intend to signify a spirit of cooperation—though an aggressive handshake might signify otherwise).

If we think a little more, we will realize that we participate in traditions through their symbols on an almost daily basis: in prayer, in conversation, in reading, in writing, in almost any interaction with any other human being, we will engage in some symbolic signification of something above and beyond the here and now moment.

Intellectual Traditions

Of particular importance for the Lyceum Institute are intellectual traditions.  An intellectual tradition comprises symbolically-conveyed relations of beliefs which have been handed down from earlier thinkers.  To give an example, we can take a word we just used: namely, “belief”.  What do we mean by this word?  To some, it may signify faith or religious / personal conviction.  Here, however, it is being used in the tradition of Charles Sanders Peirce, who defines it (to paraphrase) as “conviction in the truth of a proposition so as to act in accordance with it when the occasion arises”.  I believe that spilling water on myself is a nuisance, and so I act in a manner that attempts to prevent spilling water on myself.  I believe that truth is a good to be shared, and so, when the opportunities present themselves, I attempt to share the truth.  I believe that C.S. Peirce has insightful things to say, so I try to read his works.  Each of these beliefs shapes my action, because my conviction is not only that they are true, but that the truths they convey are good.

The purpose of an intellectual tradition is to hand on the truths which produce convictions that turn into beliefs.  We uphold an intellectual tradition because we find that it reveals the intelligible truths of being and, in the beliefs it fosters, we are motivated to actions that are good.  These intellectual traditions can be scientific, theological, literary, historical, artistic, religious, and anything in-between.  The Shakespearean sonnet, for instance—a specific metrical poetic form—belongs to an intellectual tradition inasmuch as this form itself, not independently of but irreducible to the content, signifies something beyond itself.  Likewise, the practice of modern scientific methodology forms part of an intellectual tradition, inasmuch as it is believed to discover and indicate explanations for observed phenomena.  So too, the religious practices of churches and temples alike all are informed not only by a tradition of practice but also of intellectual understanding and likely of some theological belief—however well or poorly formed that understanding may be.

But that literary, scientific, or theological traditions are formed well—this requires a kind of synoptic, holistic, and fundamental perspective: a perspective which can be formed only through philosophy.

Philosophical Traditions at the Lyceum

Just as with the above disciplines, philosophy, too, both produces and develops within intellectual traditions.  Unlike those mentioned above, however—although a certain exception must be made for theology—philosophy encompasses the whole of human experience, including that which is pursued in all other intellectual pursuits.  Nothing falls outside of its domain.[2]

In light of this truth, perhaps no intellectual traditions have as fundamental an importance for our earthly lives as those of philosophy, for it is within and through philosophy that our beliefs about diverse matters can be resolved into a unity.  As these philosophical resolutions gradually grow—one truth illuminating another, another dissolving a false opinion, and yet another coming from the connections drawn between the truth and falsity, and so on—they form a tradition.  Put otherwise, a philosopher establishes some premise as a principle.  From this premise, further conclusions are drawn.  These relations of premises and conclusions are taught to others, students.  These others discover yet further meanings in light of the earlier thinking.  Often, the teachers and students alike write down their thinking.  Thus, the tradition grows not only from mouth to ear, but from pages through eyes.

As more is written—and as traditions come into conflict with one another—their reception becomes increasingly complex.  If we do not read Plato himself, but only what is said about him by others, we do not truly know Plato’s thought, even if those others are accurate.  Conversely, if we read only Plato himself, we inevitably will miss certain truths about his thinking that others have perceived and explained.  Doubtless we will discover with little enough reading, commentaries upon Plato often conflict with one another.  It belongs to a student of Platonic thinking, then, not merely to receive the tradition’s conclusions but, much more poignantly, to re-think its questions.

Such is the approach to philosophical traditions taken at the Lyceum Institute.  We give certain traditions—Platonism, Aristotelianism, Thomism and Scholasticism generally, Peircean semiotics, certain thinkers within phenomenology and hermeneutics—greater emphasis than others because the questions they ask, and the answers provided to them, have proven better explanations than those given by those others.  Because philosophy asks perennial questions, and because its answers are not like the solutions to simple mathematical equations, one cannot simply appropriate a tradition; one must live within it.  Doing so develops a philosophical habit, and it is through this habit that we are able to face new challenges and difficulties.

What is Technology?

Among the emphasized philosophical traditions mentioned above, one will find commonly a tendency towards what can call realism: that is, simply put, the belief that our knowledge, at least in part, really is of things as they are in themselves.  Many other philosophical traditions are not realist, in at least some one or another important way.  Whether one is a realist or an anti-realist will change how one understands technology: for the latter, since human nature itself remains essentially unintelligible, technology can only be a construct of our own making.  For the former, the realist, technology can instead be understood as an extension of human faculties.

Asking the Right Questions

This notion—that technology extends our faculties—requires, of course, that we understand what those faculties are and how they function.  The author quoted at the outset of this article, Marshall McLuhan, dedicated much of his career to discovering the relations between diverse kinds and instruments of technology and the human sense faculties.  His seminal 1964 book, Understanding Media: the Extensions of Man, considers (among many others) as such technologies: spoken and written words, clothing, money, printing, photographs, automobiles, games, movies, radio, television, and automation.  As each use of one technology increases, McLuhan argues, the ratio of our senses is changed.  Some pull us into more of a visual modality; others, auditory; others still, the tactile.

Through the alteration of these ratios, we alter also the environments of our human and especially social living.  We human beings have been shifting the ratio of our senses since before recorded history.  Indeed, such shifts were required to invent the means of recording: the development of languages and the means of their preservation as an extension of memory.  But while we can conceive easily enough certain superficial extensions of our faculties—writing an extension of memory, photographs an extension of sight (allowing us to see things from the past)—the complex interplay of these technological extensions often eludes our awareness. 

Allow me to suggest that this elusiveness belongs not to the technological devices or products, but rather to the fact that technologies never exist independently of human beings.  That is, technologies come into being through human invention, yes; but more importantly, they operate as technologies only in relation to some human purpose.  Automate a technology to continue past all human existence, and it may continue to function.  But will it continue to function as a technology?

In other words: what makes a technology to be a technology?  What do we really mean when we say the word, “technology”?  Of course this question is not new.  But do we have (have we ever had?) the right intellectual traditions to answer it?  Can we incorporate such answers into a philosophical tradition?

Technology and Human Environments

As we have already mentioned, technological innovation and use alters—we may even say, to some degree, constitutes—the environments of human experience.  Connections between the advent of automobiles and the development of suburbs, for instance, are well known.  To many, this exodus from the urban life of city and town has a double concern: first, the evacuation of the cities themselves.  As McLuhan writes in Understanding Media, “There is a growing uneasiness about the degree to which cars have become the real population of our cities, with a resulting loss of human scale, both in power and in distance.”[3]  As anyone who has lived in or near a city or sizable town can likely attest, the car presents a struggle: it requires much real estate for driving and for parking—increasing both horizontally and vertically the expanse of concrete, pushing out shops, stores, restaurants; destroying neighborhoods and communities alike.

But secondly, the remove of persons to suburban environments likewise has an effect on our psychology, as well.  It makes us much more private.  Our suburban neighbors are always there—but merely there.  We may work in entirely different directions; we may commute long distances; we may shop at different stores; our kids may go to different schools; we may have naught in common as to the conduct of daily life but for the fact that we live on the same street.  The destruction of human scale inhibits our formation of communities; and the lack of communities affects the mind of each human being who needs such community in order to thrive.

The impact of technological developments upon our lives, in other words, consists not only in a physical reshaping of the environment, but also the psychological restructuring, which always plays a role in environmental constitution.  How we look at things—how we think about them—has a way of changing how they fit into our lives.  But if technology changes how we look at and think about things, how we hear what they have to say, then clearly it is also important that we perceive and think correctly about technology, as well.

Digital Paradigm of Technology

In the past several decades, a new paradigm of technology has become increasingly prevalent in this, the electric age: namely, the digital.  Few have sufficiently considered the weight of this shift.  While the first several decades of electricity saw communication transferred primarily through analog means—where one medium is used to represent one or another, but with a physical limitation that constrained the suitability of instruments (e.g., you could not produce a photograph on a vinyl record, or record sound in a Polaroid)—the increasing translation of records into digital formats has radically altered the human environment of today.

Where previous technological innovations have altered the ratios of our faculties, that is, the digital has altered it beyond all proportionality.  It homogenizes all data: images, sounds, representations of tactility, relations and patterns of relationships.  It captures with deceitfully-perfect seeming-fidelity not only the real, but so too the fake; fact and fiction become, in a digital paradigm of preservation and re-presentation, increasingly indistinguishable.  We may witness this through the big-budget cinematic film, in which the digital creation of imagery and sound has become increasingly difficult to distinguish, as to what belongs really to things themselves and what was created through some other means.[4]  As we blur lines between reality and fantasy, we damage the faculties of perceptual distinction upon which we intellectually rely.  Reciprocally, the less we strive to develop our intellectual habits, the more damaging these sensory distortions become.

As the digital permeates our environments ever deeper—integrating into our homes, our devices, our communications, ever-present through one or another screen, always ready-to-hand through the phones in our pockets—we urgently need to ask: how do we understand these technologies?  How do they fit coherently into human life?

Philosophical Tradition and Technology

Many propose responding to this question with the Luddite answer: eliminate the technology, either in itself or from your life; disconnect your homes and your devices, sign off of your accounts, live in a technologically-minimalist way.  Doubtless, this answer appeals to many.  Modern life causes no shortage of exhaustion and a retreat from its technological instruments promises a desirable rest.  But though this may prove a solution to the problem of one’s own individual living, it does nothing to resolve the essential and essentially-human difficulty of technology.  Fleeing from technology will not give us understanding of it, and thus—sooner or later, in our lives or those of generations yet to come—technology will grow again.

Instead, to handle the difficulty, we need philosophy.  But what we need more than merely a set of philosophical doctrines.  We need a philosophical tradition that instills in us a habit of careful thinking about the phenomena that not only surround us, but that shape and constitute the environment in which we live.

Thoughtful Engagement of the Digital Paradigm

Most especially do we need this habit of thoughtful reflection within the digital paradigm.  As mentioned above, the weaker our habits of thinking, the more damaging we may find this most-pervasive of technological developments.  Most readers of this essay, it is expected, are wary of social media: its effects on the psychological well-being of youth have become a hot topic no less than the proliferation of “fake news”.  But it influences us in more subtle ways, as well, providing us not only with unhealthy self-images or untrue claims, but also changing our very patterns of thinking.

It may seem silly, perhaps, to look for answers about how we ought to live in the digital age from thinkers who died centuries ago, thinkers who never experienced technologies or modes of life quite like our own—thinkers like Aristotle and Aquinas.  But although the particulars of our own day differ from these thinkers of antiquity, their insights into the universal truths of the human being remain ever-pertinent, and, if we can engage these traditions thoughtfully, we will find ways to bring their insights into an illuminating dialogue with the unique particulars of our own day.

The first task for a philosophical tradition appointed to initiating such a dialogue is the articulation of technology’s essence.  The Lyceum Institute is taking up this task in a year-long project, Humanitas Technica, which will run throughout 2024, including an extended and expansive seminar to take place in the Fall.  We have already begun preliminary conversations—covering how our relationship with technology has gone wrong, the conception of technology held by those responsible for creating it, and begun a preliminary consideration of technology’s definition.  These preliminary conversations serve to illuminate the questions still to be asked.  But primarily, they have shown that most of our technologies—even those that seemingly concern naught but the change of physical entities—modify our relations of communication.

Questioning Presuppositions

This centrality of communication to all technologies brings to light two common presuppositions: first, that technologies are principally instruments; and second, that they are inherently neutral in themselves and only incidentally used for good or evil.  Recasting the conversation about technology—such that we consider technological instruments not principally through what they do according to their own forms but what we do through them in our most human capacities, and how this activity reverberates into us—challenges both these presuppositions.

To unfold this claim for recasting the conversation requires both the strength of a philosophical anthropology, such as that found in the Aristotelian-Thomistic tradition, and the robust understanding of signification found both in late developments of Latin Thomistic thinkers and the semiotics of Charles Sanders Peirce.  These latter considerations—concerning signs, symbols, and their interpretation—will allow us not only to apply our traditions to the technological developments of recent decades or those to come in the future, but to fold technology itself into these traditions.  What is a smartphone?  A piece of protective equipment?  A new medicine?  To understand such innovations, we cannot ask only what they do, but how we understand them.  For this, semiotics will prove essential.

Many other contributions across diverse philosophical traditions of realism, no doubt, will find their place in these conversations as well.  But regardless of the insights’ sources, it is a conversation which needs to be had and one which indeed requires recasting.  The growing cultural problems—worry over which fills our publications, our daily discussions, the anxieties which gnaw at the souls of parents and teachers alike—all appear exacerbated by the technological environment we now inhabit.

Traditions of Philosophical Realism and Technology

Much more remains to be said on this topic, and I have little doubt that the many fine people involved in Humanitas Technica will have much worthwhile to say, but allow one final point here.

If we cannot know things as they are independently of our minds—know them not only according to their sense-perceptual, empirically-observable, mathematically-calculable attributes but according to their intelligible and universal essences—then technology may have all the effects mentioned above, but we cannot know or discern their causality.  From any anti-realist perspective, our concern with technology cannot but become one that is merely instrumental, and, ultimately, which aims at using technology for dominance.

By contrast, the traditions of realist philosophy, which not only possess the capacity to unveil technology’s essence but also to discover its possible coherences and incoherencies with human nature, enables us to use technology well.  This good use can come only through inculcating the philosophical habit.  Such a habit, which enables us not only to handle the digital paradigm but to navigate future difficulties as well, comes not through a set curriculum of courses, nor through receiving the right information, nor even through studying the right figures, but from continuing to question.


[2] So too, theology: but the subject matter of theology, properly speaking—at least according to the Catholic intellectual tradition—is provided by divine revelation; and thus, to enter into its study properly, one must possess a certain faith, for all things as they fall under the umbrella of theological study resolve not to human experience, but to the divine eschaton.

[3] 1964: Understanding Media, 293.

[4] In truth, the sound of films has almost always been created by something other than what is represented through the screen—the industry having relied for long upon what is termed Foley art to make sounds more convincing than those that can be captured by on-set microphones.

Dogma: Development or Detention?

What is dogma? Frequently, in modernity one will hear people mocking the idea of dogma: seen as some arbitrary rule that detains free intellectual pursuit. Dogma is also often seen as something exclusively religious—but this seems dubious.From my understanding a dogma properly speaking is something that usually comes after deliberation of some sort, as a elaborated conclusion to an investigation.This conclusion is stated in such a way that it given the right understanding of the premises, the conclusion cannot be any other way.However, the conclusion could still be wrong if the premises themselves or the understanding of them are wrong.This then would mean that dogma inhabits all disciplines—and, as such scientists are no less dogmatic than theologians.

– Lyceum Institute Member (paraphrased).

Critics of every stripe love using the words “dogma” and its adjectival derivative, “dogmatic”, as battering rams against the gates of any institution or argument. To be “dogmatic” is to be authoritarian; to have a “dogma” is to insist upon an unthinking way of acting. But is this a misnomer? Does this use of the word conflate a real threat—inhibitions against thinking—with a real benefit?

The Catholic tradition, in particular, holds dogmas as certain developments of teaching which function “as lights along the path of faith“ that “illuminate it and make it secure” (CCC 89). But this use does not exhaust the meaning of the word; rather, it is (as suggested above), a certain instance but, just as doctrine (a teaching) is not exclusive to religion, neither, then, is dogma. Rather, dogma consists in the elaboration or development—the working out—of a conclusion from premises. But just what does this “working out” or a conclusion mean?

Development of Doctrine

In his 1845 Essay on the Development of Christian Doctrine, St. John Henry Cardinal Newman proposed seven criteria to distinguish the authentic development of a doctrine. In summary, they are:

  • Preservation of Type: authentic development must preserve the original essence of the doctrine: it cannot become a teaching about something entirely other.
  • Continuity of Principles: development must be consistent with the originating principles; that is, the starting point from which the doctrine develops cannot ever be abandoned.
  • Power of Assimilation: a true development shows the ability of a doctrine to absorb new insights and experiences; these are sources contributing to growth of the doctrine.
  • Logical Sequence: developments should logically follow from the original doctrine, such that the relation between parts can be intelligibly grasped by minds across time.
  • Anticipation of its own Future: early forms of doctrinal development should anticipate the future not as the unpredictable what-is-to-come, but rather as the teleological ordering towards-which it is in order that it be at all.
  • Conservative Action upon its Past: developments should conserve the teachings of the past—at most, deviating them only inasmuch as circumstances require their truths to be applied differently.
  • Chronic Vigor: all authentic developments exhibit ongoing vitality and relevance: if we “develop” a doctrine into obsolescence, we have misapprehended its doctrinal character.

Though Newman exposits these characteristics specifically with reference to Christian doctrine, they appear pertinent to all forms of intellectual development. 

Join our Conversation

Can we apply these principles of Newman to our own fields and studies? Are there teachings that we see having developed in our traditions, or even in our own disciplines or lives? Do these seven criteria provide a sound metric to judge contemporary controversies? Come share your thoughts with us this evening (24 January 2024) at the Lyceum Institute Philosophical Happy Hour!

Philosophical Happy Hour

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Come join us for drinks (adult or otherwise) and a meaningful conversation. Open to the public! Held every Wednesday from 5:45–7:15pm ET.

The Ethics of New Terminology

In a famous set of scenes in the 2004 classic movie Mean Girls one of the main protagonists, Gretchen Wieners, attempts to introduce a novel expression into the discourse with her friends, insisting upon ending every conversation with the exclamation, “That is so fetch!” After failing to have the terminology catch on for so long, the main antagonist, Regina George, finally exclaims to her to, “stop trying to make ‘fetch’ happen, it’s not going to happen.” While we cannot fault Ms. Wieners for her attempts to try and formulate her own catchy neologism, what she is arguably doing in this scene is engaging in an activity that many of us engage in without even reflecting on it, namely, stipulating some new word or verbiage into our discourse, in hopes that it might “catch on” so to speak in everyday conversation, whether that be among our peers and friends, our engagement with academic scholars and theorists, or even among our widespread use of social media and the internet. 

Which begs us to ask the question: what exactly is it that we do when we come up with new words and terms in our discourse? When we attempt to change the meaning of phrases and terminology, what does this entail in our social interactions with people? Furthermore, if it does have implications in our social interactions, does it mean that there is an ethic to how we stipulate new verbiage into everyday discourse?  

Language and Discourse 

To say that we have a responsibility in our employment of using terminology and language seems uncontroversial enough, as much of our social interaction presupposes a “correct” way in which we should speak and interact with one another verbally. Nobody ought to shout or formulate expletives to launch at peers in official academic conferences— though this may happen well enough— simply on account of what justice requires of us in our interaction with peers in such a social setting. So too with our interactions with family members, justice simply demands that we remain civil with one another in the verbiage we employ with familial ties etc. But in coining new terms and phrases, what ethical implications does this have for us? Charles Sanders Peirce muses that there are indeed such ethical concerns in the employment, principally in communicating effectively what the other is thinking, and if there is to be such a need for coining new verbiage and terminology, as the developments of science and philosophy seem to require, we must take care to effectively communicate what such neologisms mean in our writing, and to safeguard against equivocation and subterfuge. This does not mean that we should simply be content to develop a language which is rigid and unchanging in its verbiage, because, as Peirce would surmise, it is simply natural for languages to develop alongside the progresses of science and philosophy.  

For every symbol is a living thing, in a very strict sense that is no mere figure of speech. The body of the symbol changes slowly, but its meaning inevitably grows, incorporates new elements and throws off old ones. But the effort of all should be to keep the essence of every scientific term unchanged and exact; although absolute exactitude is not so much as conceivable…Science is continually gaining new conceptions; and every new scientific conception should receive a new word, or better, a new family of cognate words. The duty of supplying this word naturally falls upon the person who introduces the new conception; but it is a duty not to be undertaken without a thorough knowledge of the principles and a large acquaintance with the details and history of the special terminology in which it is to take place.

Peirce, C. S. (1998). “The Ethics of Terminology” in The Essential Peirce: Selected Philosophical Writings, vol.2, p.264

Given the natural fluidity of the signifiers employed in our speech, it seems only natural that neologisms and novel stipulations should arise in our discourse. But given such a need, is there any ethical component which accompanies the formulation of neologisms?

Ethics of Signification

Given that the social realm of human discourse is a smaller part in the larger whole of sign relations, we must then finally ask the question: if there is such a thing as a semiotic, does this bring forth a consideration of an accompanying “Semioethic”, i.e., an ethics concerned specifically with signifying in a way morally right? While many different animals, and even flora, employ and utilize signs in their species-specific discourse, it is only humans that are capable of reflecting upon and distinguishing the difference between the sign-vehicles employed, and the sign relation as such. 

But a new kind of animal is born, the semiotic animal, as the human animals become aware not only of the difference between objects and things, but more profoundly of the difference between sign-vehicles and signs in their proper being…I think the recognition that the boundaries of semiotic reality are never fixed and always shifting is the key realization for this new, this postmodern, humanism, wherein traditional objective “ethics” is transformed as “Semioethics” by the discovery that human knowledge in the whole of its extent— speculative no less than practical— depends upon the action of signs, an action that is presupposed to every “world of objects”, every Umwelt around the whole planet.

Deely, John. Basics of Semiotics, 8th ed., p.226-27

On account of this capability to not only stipulate novel signs into discourse, but to meaningfully reflect on what occurs ethically in the act of stipulating, it seems necessary to ask the question; both for speculative reasons as well as for pragmatic, what is it that we do when we stipulate novel signifiers, and what implications does it have morally and ethically?

Philosophical Happy Hour

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Come join us for drinks (adult or otherwise) and a meaningful conversation. Open to the public! Held every Wednesday from 5:45–7:15pm ET.

Join us to explore this essential question in the communication-saturated 21st century!

2024 Winter: Good and Freedom in Aquinas’ De Veritate

Why do we call a thing “good”?  We have been calling things good since childhood, but, as with any conception so fundamental, it is challenging to unfold its meaning.  Given the multifarious use of this name, “good”, is there even a unity of meaning to discover?  Is it just that we call anything good merely because it occasions feelings of a certain kind, or is there something in things themselves that justifies calling them good? 

Thomas Aquinas proposes that, indeed, the conception of the good has a central meaning –  “that which is perfective in the manner of a final cause” – and so approves the dictum of Aristotle, that “the good is that which all seek”.

Affectivity is thus relevant to this central meaning of the good, but affectivity understood, in those beings that have it, as essentially correlated with real possibilities, with the relationship of a thing to that which would perfect or fulfill it.  This is the order to an end, or final cause – a challenge to a reductive modern paradigm in which reality contains no real possibilities, but only “actual facts” of a mechanical kind. 

In this seminar, we will follow Aquinas’s treatment of the good in questions 21-26 of his great work known as De veritate.  Our considerations will include the metaphysics of the good, the divine will, and the human faculties that engage with the good, namely human will and the capacity for free choice, and human sensuality.  We will also touch on the connections between some important passages in De veritate and the topic of evil. 

Therefore, among these three things that Augustine affirms, the last one, namely order, is the relation which the name of goodness implies. But the other two, that is species and mode, cause that relation. For species pertains to the very notion of the species which, inasmuch as it has being in another, is received in some determinate mode, since whatever exists in another exists within it in the manner of the receiver. Therefore, every good thing, inasmuch as it is perfective with respect to the notion of species and being, as taken together, has mode, species, and order. It has species with respect to the notion itself of species, it has mode with respect to existence, and order with respect to the condition of what perfects.

Thomas Aquinas i.1256-59: Quaestiones disputatae de veritate, q.21, a.6, c.

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Lyceum Institute seminar costs are structured on a principle of financial subsidiarity. There are three payment levels, priced according to likely levels of income. If you wish to take a seminar but cannot afford the suggested rate, it is acceptable to sign up at a less-expensive level. The idea is: pay what you can. Those who can pay more, should, so that those who cannot pay as much, need not. Lyceum Institute members receive a further discount (see here for details).

One payment covers all 8 weeks.

If you prefer an alternative payment method (i.e., not PayPal), use our contact form and state whether you prefer to pay as a Participant, Patron, or Benefactor, and an invoice will be emailed to you.

Pricing Comparison

Standard priceBasic Lyceum
Enrollment
Advanced Lyceum EnrollmentPremium Lyceum Enrollment
Benefactor$200 per seminar$903 seminars included
$90 after
8 seminars included
$90 after
Patron$135 per seminar$653 seminars included
$65 after
8 seminars included
$65 after
Participant$60 per seminar$403 seminars included
$40 after
8 seminars included
$40 after

Complete Lyceum Catalog – 2024

We have completed our 2024 catalog and preliminary schedule for all seminars and courses!  While these are, of course, always subject to change (life being ever-unpredictable), I am happy to announce this very exciting slate of philosophy seminars for the upcoming year:

Seminar Catalog 2024

Winter (Q1)

Introduction to Philosophical Thinking

– Brian Kemple

Phenomenology: Heidegger’s Method II

– Brian Kemple

Thinkers: Aquinas’ De Veritate – Good and Freedom

– Kirk Kanzelberger


Summer (Q3)

Culture & Politics: A Thomistic Defense of Democracy

– Francisco Plaza

Science: The Physics of Aristotle

– Daniel Wagner

Spring (Q2)

Philosophers and History

– Scott Randall Paine

Semiotics: an Introduction

– Brian Kemple

Metaphysics: Discovery of Ens inquantum Ens

– Brian Kemple


Fall (Q4)

Science: An Existential Thomistic Noetics – Maritain’s Degrees of Knowledge and Late-Life Works on Epistemology

– Matthew Minerd

Metaphysics: The Doctrine of Analogy

– Brian Kemple

Semiotics: The Difficulties of Technology

– Group seminar (multiple instructors)


Seven of the eleven seminars on our schedule are new, never before offered.  There may also be others added to the Summer schedule, drawing upon our archives (which are undergoing a massive overhaul to be more accessible and useful).  All-in-all, I find myself a bit giddy at the line-up for the year.  You will find descriptions for each seminar in this PDF.

Trivium, Latin, and Greek

We have also previously announced our Trivium, Latin, and Greek schedules. All of the core courses in these studies are available to every enrolled Lyceum Institute member. Sign up today to begin studying with us in January!

Looking forward to another great year of study and we hope you will join us!

Winter 2024: Introduction to Philosophical Thinking

We hear the word “philosophy” used often—often in cringe-inducing ways (“My philosophy on this is…” “That’s an interesting philosophy…” “His coaching philosophy…”), where the speaker really means an opinion or a method.  For others of us, it might conjure up images of books or a college course catalog; perhaps something having to do with symbolic logic, or stone busts of Grecian figures.

But what is philosophy, really?  What does it really, truly mean?  What makes someone to be a philosopher—what does it mean to “do” or “study” philosophy?

We must contend not only with facile dismissals, today, of the philosophical habit, but because these, often, are rooted in profound misunderstandings about the very nature of human existence, we must uproot these too. Most central to the constitution of a good philosophical understanding, it will prove, is the ability to ask the right questions in the right way.

Because inquiry in philosophy needs no specialized training, it is often assumed that its practice requires minimal to no training at all. Indeed, one could assume that very little is required for the professional philosopher beyond the ability to read, perhaps in a few languages, to take a course or two in logic, and to practice a rhetorical ability to seem profound. But even if, in a certain respect, this is so—certainly, it seems that many within the academy possess little more in the way of genuine capability, regardless of their institutional credentials—the fact is, for the purposes of true philosophical habit, time and study alone are not enough.

Rather, one needs to learn to ask questions and to ask them in the right way.

Kemple 2022: Introduction to Philosophical Principles, 3.

It is just this ability—questioning well—that this seminar aims to accomplish. View the syllabus to learn more, and register below! This seminar is free for all enrolled Lyceum Institute members. Additionally, digital copies of all texts will be provided. Though not all are equal, students may use any translation of Plato they possess.

Registration

Lyceum Institute seminar costs are structured on a principle of financial subsidiarity. There are three payment levels, priced according to likely levels of income. If you wish to take a seminar but cannot afford the suggested rate, it is acceptable to sign up at a less-expensive level. The idea is: pay what you can. Those who can pay more, should, so that those who cannot pay as much, need not. Lyceum Institute members receive a further discount (see here for details).

One payment covers all 8 weeks.

If you prefer an alternative payment method (i.e., not PayPal), use our contact form and state whether you prefer to pay as a Participant, Patron, or Benefactor, and an invoice will be emailed to you.

Pricing Comparison

Standard priceBasic Lyceum
Enrollment
Advanced Lyceum EnrollmentPremium Lyceum Enrollment
Benefactor$200 per seminar$903 seminars included
$90 after
8 seminars included
$90 after
Patron$135 per seminar$653 seminars included
$65 after
8 seminars included
$65 after
Participant$60 per seminar$403 seminars included
$40 after
8 seminars included
$40 after

Hervaeus Natalis and Logic

Ho ho ho… Harvey is coming to town?

One of the many fascinating contributions semiotics makes to contemporary philosophical discourse is role it sees for signs and sign-relations in the domain of logic. In this interview on Dogs with Torches, we are joined by the Lyceum’s very own Dr. Matthew K. Minerd to discuss the scholastic development of logic in the 13th and 14th century, as well as the thought of Hervaeus Natalis on the domains of logic as the study and science of second intentions. 

Towards the end of the episode, we also discuss the reflections Natalis has for the domain of ens rationis in general, and the possible implications it has for the scope of metaphysical enquiry. We also touch briefly upon other philosophical issues such as: species-specific extrinsic denominations, moral being, rhetoric, zoösemiotics and phytosemiotics, and the being of intentionality.

In addition to the Interview, Dr. Minerd also graciously recommended further resources for those who would want to further investigate medieval developments on logic, as well as the development of the scholastic understanding of ens rationis in general.

On the Death of the Artist

A Lyceum Member proposes, as a topic for our 29 November 2023 Happy Hour: “How much does the artist’s intention factor into the meaning of his art? How can semiotic Thomism help us to answer this question? Can there be a more fitting interpretation of the art he makes than the one he intended? Is the more fitting interpretation, the ‘correct’ interpretation, even if it is not the one intended by the artist?  What is fittingness?”

Questions about the nature of art—a perennial inquiry renewed time and again—have resurfaced in recent years and months as intelligence-simulating pattern-recognition and reconstitution algorithms (commonly misnamed “Artificial Intelligence”) dramatically improve their abilities to produce graphical (and soon other) representations of human artistic creation. This is a rather complex way of asking: does AI produce art? To back these kinds of question into those written above, is there art without intention? Who is the artist when someone plugs a prompt into ChatGPT? How does the output of an intelligence-simulator correspond to artistic causality?

AI artists?

The above image was generated in less than 60 seconds with a relatively simple prompt. One can dissect it to discern the influences of various artists, famous, infamous, and virtually unknown alike; one might even be able to reconstitute the prompt from such analysis. So: who created the image? And what interpretations may be made of it?

Exemplar Causality and Intention

At the center of every work of art stands a formal cause: that is, the principle by which are arranged all the material parts making it to be what it is. When drawing a portrait, one seeks to capture the visage of the human person. There are countless material variations through which this might be achieved. A portrait may exhibit technical proficiency but fail inasmuch as the person does not truly appear within it. In this, we would say that it falls short formally. But the intrinsic formal constitution of the artistic work both relies upon and relates to an extrinsic formal cause as well, namely, the idea or plan in the mind of the artist.

This extrinsic formal cause may be termed the exemplar (later Scholastic philosophers called it the idea). As John Deely writes:

The first and obvious way in which a formal cause can be extrinsic to an effect, and the way which was principally considered in the history of the discussion of these questions, is again in the case of artifacts: the architect constructs a building out of materials and according to a plan which he has drawn up, and [1] this plan is then embodied in the building, so that it becomes a “Mies van der Rohe building”, for example, an instance and illustration of a definite architectural style and school; the artist [2] creates a painting as an expression of something within the artist, or models a work, such as a statue or a portrait, on something external which the artist nonetheless wishes to represent. Even [3] when the work is called “non-representative” and so strives to be a mere object with no significant power, as an expression it fails, in spite of itself, to be without significance. Extrinsic formal causality in this first sense came to be called ideal or exemplar causality among the Latins.

Deely 1994: New Beginnings, 160.

There are many points compressed within this paragraph worthy of extended consideration, but we will limit ourselves to the three annotated: first, [1] the embodiment of a plan in the work; second, [2] the internally-expressive rendering of something externally-extant; and third, [3] the invariable signification of productive expression.

Concerning the first [1], this point proves important to a fundamental understanding of art. The work of art terminates the act of the artist. It receives the expressive form in an embodied manner. Even performance art—the playing of music (or even 4’33”), a dance, juggling—requires an embodiment. But it is not just any embodiment that renders something “art”. There must be a definite plan: the exemplar cause. If I slip and happen to make the motions of a most stunning and beautiful pirouette, I fail to perform the ballerino’s art. There was no intent behind my performance, no plan, no exemplar cause.

Now, had there been—had I myself seen the artful spins of professional dancers and wished to emulate them—then, second [2], I would be expressing from my own conception an observation of something external. So too, if I draw a portrait of Audrey Hepburn, I must draw upon my impressions of her in memory, from movies, in photographs, etc. Even the most seemingly-innovative artistic creation relies upon the grasp of a form outside the self which is creatively transformed through the exemplar expression. We are imitative creatures.

To this point, third [3], we cannot create any forms that do not themselves, as existing in the embodied artistic product, further signify to others. Even the most wildly re-constituted expressive form still draws from the extrinsic causality of those things we have first grasped ourselves. Thus, “abstract” art yet falls under the auspices of interpretation.

Interpretation and Specifying Causality

Or, to put this otherwise: interpretation is always a part of artistic creation. This raises a difficult question, however: what do we mean by “interpretation”? It seems a word the meaning of which we often take for granted. Is it the drift of associations? The insight into “what is”? The relation of appearance to context? Anything at all?

Perhaps the easiest answer: interpretation is the working-out of an object’s meaning. “Meaning”, too, of course, presents a challenge. If, in the context of art, we presuppose meaning to reside principally in the intrinsic formal cause of a work, we simplify the conversation. For the form of the work—the embodiment of the artist’s intention—invariably specifies the audience. In other words, the audience can interpret the work according to its own complex of determinations and indeterminations. If I am somehow conditioned to hate all impressionist art, I will interpret all impressionist art hatefully. It cannot specify me otherwise. If, however, I am not so-determined, but remain open to its specification, I may interpret it other ways.

Sometimes, for instance, when we learn an artist’s intention behind his creation, it appears in different light. Sometimes better, sometimes worse. Other times, we may discover another work of art—or a philosophical premise—which allows us deeper insight into the work. This insight may be entirely outside the author’s intent, and, yet, rings true. But how do we justify these interpretations?

Life of Art?

To many, it may seem that death stands imminent for the artist. Intelligence-simulation threatens artistic life. It will discern and reconstitute patterns faster than we can even conceive them.

Or will it?

Can there be art without exemplar causality? Can machines interpret? Produce expressions? Does “artificial intelligence” produce art or… something else? Is it a medium for a new, emerging kind of artist? Come discuss these and other fascinating questions concerning the nature of art with us today, 29 November 2023! Links below:

Philosophical Happy Hour

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Come join us for drinks (adult or otherwise) and a meaningful conversation. Open to the public! Held every Wednesday from 5:45–7:15pm ET.

On Modern Science and Sacred Traditions

“Religion is anti-science.”  Jerry Coyne, Professor Emeritus of Ecology and Evolution at the University of Chicago, once wrote the following:

I’ll construe “science” as the set of tools we use to find truth about the universe, with the understanding that these truths are provisional rather than absolute.  These tools include observing nature, framing and testing hypotheses, trying your hardest to prove that your hypothesis is wrong to test your confidence that it’s right, doing experiments and above all replicating your and others’ results to increase confidence in your inference.

And I’ll define religion as does philosopher Daniel Dennett: “Social systems whose participants avow belief in a supernatural agent or agents whose approval is to be sought.” Of course many religions don’t fit that definition, but the ones whose compatibility with science is touted most often – the Abrahamic faiths of Judaism, Christianity and Islam – fill the bill.

“Yes, there is a war between science and religion”, The Conversation, 21 December 2018

These two definitions, as Coyne puts it, construe incompatible ways of viewing the world.  Arguably, however, these are very bad ways of defining both religion and science.  Neither gets after something essential, but aims, instead, at a kind of generalized amalgamation.  Coyne goes on from these dubious definitions to argue that religion provides no good reasons or evidence for its claims, but requires unreasoning faith, whereas science employs an empirical method of inquiry that can result in “confident inferences”.

1. Reconciling Sources

Debating Coyne’s unserious and weak assertions (and understanding) is not our purpose, here, however.  His—and generally other “new atheist” objections (which smack of intellectual insecurity; what else could so philosophically-bereft minds feel, when facing philosophically-dependent questions?)—instead serve to raise a point: how should we understand science, and, with that, its compatibility with religion and sacred traditions?

The hermeneutic question of interpreting different sources for truth—the books of nature and of revelation—has long been asked by none other than religiously-minded figures themselves.  On its own, asking this hermeneutic question is itself a kind of scientific inquiry.  For we must recognize that what often goes by the name “science” today—or “modern science”—is but one dependent branch on the tree of human understanding.  To this end, Jeremy Bentham (of all people!) once felicitously proposed the terms “idioscopic” and “cenoscopic” to distinguish between the methods used in “modern science” and the philosophically-geared methods of discovery.  Fr. Scott Randall Paine has an extensive and wonderful essay on the distinction available here.  In short, the idioscopic specializes its vision to discern things indiscernible otherwise; while the cenoscopic utilizes the common reasoning capacities of the human being to resolve discoveries into a coherent whole.  Regarding idioscopy as alone the tree upon which knowledge grows (cutting that branch off and sticking it in the ground, as it were) has borne sickly intellectual fruits.  “Modern science”, divorced from the humanities, arts, philosophy, religion and theology—all the domains of cenoscopic inquiry—leaves us with an unresolved picture of the world.

But modern science alone does not cause this separation.

1. Scripture and Science

Commenting upon the modern philosophical rejection of the textually-commentarial tradition of Scholasticism, John Deely writes in a lengthy footnote:

Although sometimes I wonder to what extent this objection of the times, apparently directed against the Aristotelian philosophers, a safe target, is not the more intended for the unsafe target of the theologians, who in fact have always been the far more culpable in this area from the earliest Christian times.  I think of such examples as that of Cosmas Indicopleustes with his Christian Topography (Alexandria, i.535–47ad), “in which he refutes the impious opinion that the earth is a globe”, for “the Christian geography was forcibly extracted from the texts of scripture, and the study of nature was the surest symptom of an unbelieving mind.  The orthodox faith confined the habitable world to one temperate zone, and represented the earth as an oblong surface, four hundred days’ journey in length, two hundred in breadth, encompassed by the ocean, and covered by the solid crystal of the firmament” (Gibbon 1788).  But examples of equal or greater offensiveness can easily be culled from every tradition of sacred, “revealed” texts, both before and outside of the Christian development.  Surely, within the Christian era, one of the more outstanding examples of hermeneutic abuse is the career of the “blessed” Robert Cardinal Bellarmine (1542–1621) who, well in advance of the most famous trials over which he held sway (in 1600 that of Bruno, in 1616 that of Copernicus’ work, laying the ground for the 1633 condemnation of Galileo), had arrived through scriptural study at a detailed cosmology which he regarded as “virtually revealed”.  These astonishing results he recorded between 1570 and 1572 in his unpublished Commentary on Qq. 65-74 of Aquinas c.1266 [Summa theologiae, prima pars], autographs which we may hope will one day be brought to full publication (Baldini and Coyne 1984 [“The Louvain Lectures of Bellarmine and the Autograph Copy of his 1616 Declaration to Galileo”] is barely a start) to add to the many object-lessons still resisted that make up the ending of the “Galileo Affair”: see Blackwell 1991 [Galileo, Bellarmine, and the Church] esp. 40–45, 104–06 (on the truth of the Bible even in trivial matters being guaranteed as Bellarmine put it, ex parte dicentis – “because of God being the one who says so”).  Too bad Galileo, writing in 1615 with Bellarmine in mind as well as still alive (see Blackwell 1991: 274), felt constrained to leave unpublished his observation that “those who try to refute and falsify [propositions about the physical world] by using the authority of… passages of Scripture will commit the fallacy called ‘begging the question’.  For since the true sense of the Scripture will already have been put in doubt by the force of the argument, one cannot take it as clear and secure for the purpose of refuting the same proposition.  Rather one needs to take the demonstrations apart and find their fallacies with the aid of other arguments, experiences, and more certain observations.  And when the truth of fact and of nature has been found in this way, then, but not before, can we confirm the true sense of Scripture and securely use it for our purposes.  Thus again the secure path is to begin with demonstrations, confirming the true and refuting the false”.  This lesson applies across the cultures to every group that draws upon texts deemed revealed, not in every case, indeed, but wherever arise questions that can be investigated and resolved by means of natural investigations, scientific or philosophical.

Deely 2002: What Distinguishes Human Understanding, 57-58n13.

While I generally agreed with my mentor on many things, I find his objections (and dismissive attitude) toward Bellarmine problematic.  Yet—I must admit a hesitation here.  There seems to be a valid objection to the hermeneutic used often still today by Biblical literalists; one which attempts to conform an understanding of the physical world to an already-determined interpretation of Scripture’s meaning, rather than to understand Scripture’s revelations about the natural world through an understanding of that world itself.  Study of the natural world responds to our human thirst for knowledge, and, nourished in the proper context of a holistic human learning, enlivens the soul.  To constrain it under the bounds of a Scriptural interpretation itself question does, indeed, beg the principle.

3. Universal Hermeneutics of Continuity

Can we resolve the diverse sources of knowledge into a coherent whole?  How?  How should we interpret Scripture and science as parts of one continuous whole for human knowledge?  Join us this evening (and perhaps again in the future!) to discuss.

Philosophical Happy Hour

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Come join us for drinks (adult or otherwise) and a meaningful conversation. Open to the public! Held every Wednesday from 5:45–7:15pm ET.

On Worldviews and Ideologies

“Ideology” is a distinctly modern word that helps us to discern a distinctly modern phenomenon.


Whenever we have a world picture, an essential decision occurs concerning beings as a whole.  The being of beings is sought and found int eh representendess of beings.  Where, however, beings are not interpreted in this way, the world, too, cannot come into the picture – there can be no world picture.  That beings acquire being in and through representedness makes the age in which this occurs a new age, distinct from its predecessors.


Yeah, well… you know, that’s just like… uh… your opinion, man.

-Mark Shiffman, What is Ideology? | -Martin Heidegger, Die Zeit des Weltbildes | -The Dude, Big Lebowski

Understanding the World(view)

What do we mean by the common term “worldview”?  Our English word originates from the German Weltanschauung (from Welt, meaning “world”, and Anschauung, “view”, “perception”, or even “perspective”).  Often, the term is used as though it needs no explanation: “That’s your worldview”, “My worldview is…”, “The Roman worldview” or “The Catholic worldview”, etc.  But the German philosophical traditions from which the notion arose, and through which it develops, course in diverse and confusing ways.  Kant, Humboldt, Hegel, Husserl, Jaspers, Heidegger, and many others all spoke meaningfully about the world, about worldviews, and/or about the “world-picture”.

In a similar vein, Karl Marx developed (in a departure from its origins in the late eighteenth-century French thinker, Antoine Destrutt de Tracy) a notion of the “ideology” that shapes thinking to this day in a similar fashion.  In Marx’s bending of ideology, it was put forward as a “set of ideas whose purpose is to legitimate a set of social and economic relations, and which originates from those same relations.”[1]  As the twentieth-century Italian Marxist Gramsci furthered this interpretation, ideologies were not only echoes of our economically-shaped consciousness, but themselves a real battleground for social and political struggle.  Thus, ideology is understood as “a set of ideas justifying a power agenda and helping it to obtain cultural sway by dominating the minds of those who can be brought to accept it”.[2]

Thus, the contemporary notion of “ideology” is narrower than that of “worldview”, which comprises a sense of the whole, whereas the ideology concerns itself only with what fits inside the “idea”.

Constraining the World

But are these really different?  If the “world” is encompassed in the “view”, or its meaning restrained to what can be viewed—or, given in a picture—do we not thereby restrict the being of the world?  Let us take, for instance, the “American worldview” as experienced in the 1950s.  Fresh off the victory of World War II, and confronted by tensions with the growing power of the USSR, the American worldview was truly a “view of the world”, as a stage upon which conflict with the Soviets was to be won or lost.  The American represented freedom, justice, prosperity, and faith; the Soviet oppression, abuse, poverty, and godlessness.  One held to the dignity of the individual and the family; the other Procrustean conformity to the collective.

How much of the real world was omitted through such myopic lenses?

Or consider the idea of a “Catholic worldview”—a claim today so vague as to be all-but-meaningless.  Why?  Should there not be a common, underlying view through which all Catholics view the world?  Perhaps, yes; but the very notion of a “Catholic worldview” seems more and more to be coopted into one or another ideological claim: that of care for the poor and marginalized, the “open arms”; or one of returning to tradition, beauty, and “rigid” codes of behavior.  What causes this divergence?  The lenses appear to be narrowing—letting in less and less light as each day passes.

Realism and the World

Central to most claims touting the advance of a “worldview”, “world-picture”, or “ideology” one finds, I believe, either an inherent skepticism or a deliberate agnosticism about humans’ common possession of the ability to know what truly, really is, independent of the mind.  No wonder the world ends up constrained!

Doubtless there is much more to be said—so come say it!  Join us for our Philosophical Happy Hour this Wednesday (11/8/2023) from 5:45–7:15pm ET.

Philosophical Happy Hour

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Come join us for drinks (adult or otherwise) and a meaningful conversation. Open to the public! Held every Wednesday from 5:45–7:15pm ET.


[1] Shiffman 2023: What is Ideology? 10.

[2] Ibid.  Cf. Zizek 1989: Sublime Object of Ideology, 49-51.